Sunday, July 26, 2020

Definitely Not An 8 Out Of 10



Let me be right up front with you: I did not care for Naruto, nor Boruto.  I mean, everything was fine at the beginning (and who doesn’t love the Sexy Jutsu?), but then it became all political and introduced too many intricate rules for the ninja jutsus and I just couldn’t any more.  If memory serves, I didn’t get much farther than the exam arc before I called it quits.

And Samurai 8: The Tale of Hachimaru wasn’t exactly an easier read.  Concepts are introduced well before (by which I mean “long before”) any sort of explanation of them, so I had to stop with every other sentence to try and remind myself what a “key” was or what a “samurai soul” was.

In a bizarre blending of two completely different genres, we are introduced to the legend of the warrior god Fudo Myo-o, some kind of space samurai who “saved the stars” a long, long time ago?

Some peas should not be mixed with some porridges.  At least, not unless you can seamlessly blend them together well.  And, well, Samurai 8 was just weird in both ways.

We enter on the sick and weak boy Hachimaru, who was apparently playing the online video game that the whole introduction took place in (which should be kind of a red flag right there).  He lives with his father in the small house that is all he’s ever known because of all his physical deficiencies.

And there’s also this robot dog called a “holder” that he built named Hayataro who meows instead of barks for, frankly, some of the only comic relief to be found in this slog of words.

Anyway, while his protective doctor father is off collecting parts for his intensive care machine, Hachimaru plays a standard game of fetch with Hayataro.  But, this time, Hayataro bring back a much larger ball: a daruma doll.  When Hachimaru tries to make a wish on it, the ball opens to reveal a small, cat-like creature that calls itself Daruma.

It also claims to be a samurai.

It turns out that Daruma was once a proud and honored space-samurai who was placed in the body of a cat robot.  And he was the one who created the game Hachimaru was playing earlier and distributed it in the hopes of finding a worthy samurai to aid him in his journeys.

One thing leads to another and we follow the journey of Hachimaru as he is implanted with some kind of cyborg spine called a “key” that somehow turns his body into a cyborg and turns him into the real samurai he’s always wanted to be.

This series, suffice it to say, has some problems.  There was the aforementioned “too much show long before telling” problem, plus we don’t have much idea at this moment where exactly the story is going.  The dialogue and storytelling is too wordy, plus the action scenes are too hard to keep track of who exactly has done what and how.

The one good part about Samurai 8 was the character work.  Daruma makes for a good, enigmatic master for Hachimaru, albeit one who occasionally slips in weird references to underwear in his lessons.  Hachimaru himself is understandable as a boy who has always wanted to see the world but can’t (which I myself can relate to for reasons I won’t discuss here), and his father is realistic and believable as the caring parent with a mysterious past who doesn’t want his son to get hurt out there.

I myself argue with my father and brother a lot, so I can see myself in the way Hachimaru yells at his father, but also in how he always feels bad later on and considers to himself about apologizing.

And Hayataro is the standard loving dog with few comic or unbelievable eccentricities other than the meowing.  Even if he can somehow turn himself into a giant dog-horse cyborg steed thing that shoots lasers out of his mouth.

Well, I guess Masashi Kishimoto’s talents had to be put to good (?) use somewhere ever since Naruto ended.  Just don’t expect me to be spending any money on it.

Wednesday, July 15, 2020

New Post! "Not Exactly A Visual Paradise"

Is anyone still there?

Dear readers, due to the Spring 2020 outbreak of Covid-19, I have found myself in a bad position to visit my local bookstores or even the library.  And, for that reason, I have been remiss for the last 2-3 months in my posting about new and exciting manga I've been reading.

Now, for the record, I could have gone to the library (if only to pick up pre-ordered books curbside), and I actually have on and off for a while, but it's just different when you can't go inside and browse around.  And, frankly, trying to find out what new stuff they've got in, with their system, was just too much work.

But then I heard that the physical library had actually opened up a month ago, and thus I made the bold decision to pull a swift surgical strike just a few days ago.

My discovery of new manga Jigokuraku "Hell's Paradise" was the result.

Violent excommunicated ninja Gabimaru the Hollow is set to be executed by decapitation.  But the blade mysteriously fails and shatters against his skin.  After failing to die in executions by fire and being drawn and quartered, respectively, he is suddenly issued an imperial pardon, along with dozens of other murderous criminals from all across the land.

It turns out that the emperor (the fictional Tokugawa Nariyoshi, not the real 11th Tokugawa shogun Ienari) is funding an expedition of criminals, "Suicide Squad"-style, to a mythical land beyond the Southwest seas to recover the elixir of immortality.  Many men were sent before, but all returned in serious body horror shape, crumbling into masses of roots and flower petals.

The one or ones who return to the shogun with the elixir will be granted free pardons to go off on their merry way unaccosted.

Traveling with these condemned men and women are the Yamada Asaemon executioners, who are to keep them in line and make sure that their hands are bound.  One such member of this elite family is Yamada Asaemon Sagiri (or just Sagiri, as I will now call her), the only female member that we know of, who struggles with the weight of taking lives and the mighty if chilling reputation of her family.

The manga has some good world-building, as well as a general message of growing stronger by working out one's own feelings and accepting them.   Gabimaru tried to leave his village because he wanted a normal life with the simple woman who opened his heart.  Sagiri struggles with doubt in her skills and the fear of actually taking lives.  Neither side wants to kill, but they know they must.

The body horror of the transformed people is great, and we even get a little fanservice from Sagiri, albeit only in her inner monologue scenes.  And the character work is great, even down to the evil shogun, who watches gleefully as the assembled prisoners fight to the death and narrow themselves down to 10.

One downside is that, given the scratchy artwork and static nature of manga, some of the battle scenes unfold with only the wariest of readers being able to understand what just happened.  Plus Gabimaru's first major battle against a weapon-maniac named Warped Keiun, finishes completely offscreen, with only a giant body pierced through with all of his former weapons at the end of it.

Jigokuraku makes for an interesting, if weird, read right up until the end.  Because, just when we think we've seen the weirdest this volume can offer, some things that look like a cross between a Hollows and Titans go lumbering by and we end on some of our heroes preparing to fight them.

Long story short, I recommend this manga for the time being.

And, in closing, may I just say that I wish the best to you and yours during this time of global pandemic and hardship.  Just remember: as long as there's a tomorrow on the calendar, there's always hope that things will turn around.

God bless.