Normal Japanese high school student Nina Tsukishiro moves to
a small country called Ruberia to live with her uncle. Along the seemingly Italy-inspired beaches
and fine stone architecture sit groves and groves of different rose flowers,
apparently each with their own uses and capabilities.
When she notices a strange boy pulling a robbery and he
bites her, Nina transforms into a furred humanoid not unlike the boy was. This leads to her being shipped off to the
titular Abigaile prison, where creatures like her and the boy, known as Luga,
are trained to serve humans as slaves.
There Nina encounters the boy from before, the hot and mean
guy with a heart of gold Roy Balfour and the Luga/slave guard (in that he is
all three) Gilles. As you can imagine,
he is the hot and kind guy. (I know,
it’s clichéd, but frankly it seems a small price to pay for this series.) The fair-minded Nina joins a clique (or
“home”) full of funny lovable gay guys and dedicates herself to fighting the
injustices within the prison.
And there we have a basic overview of Spica Aoki’s “Beasts
of Abigaile”, Vol. 1.
Now, I myself am a writer and I’m writing a werewolf story,
so Beasts of Abigaile is practically a goldmine of ideas.
The story itself seems basic enough on the surface, but
there are serious racial tensions between the humans and the Luga, which have
left many of them embittered against their captors and the entire human race in
general. This combines with some
jealousy from the other female Luga due to Nina’s getting so close with both
Roy and Gilles.
So, naturally, a big plot point is that Nina must use a
special perfume to hide her human identity (and smell) from the school’s
Luga. (Even though it is hinted now and
then that Nina herself is not, or at least isn’t entirely, human herself.)
And I’m sorry, all you fans of Kelly Armstrong, Vicki Lewis
Thompson and Molly Harper: there is little to no nudity here. The Luga are pretty much werewolves in name
only, in that their only hints of a bestial nature are their fluffy ears and
tails (and, I think, red eyes). They
have claws and sharp teeth and can become even larger and furrier, but they
don’t seem to be able to become full wolves, or even those bipedal wolves with
boobs and pecs that you see now and again.
So, basically, at the risk of sounding sexist, “Beasts of
Abigaile” is basically a werewolf story written by a woman (I’m assuming), and
thus naturally focuses more on story and relationships than on nudity and
transformation fetishism.
But, for once, I’m not complaining about that. I just want to see where it's going, because one problem this series does have is that, if there even is an over-arcing story in here somewhere, it seems awfully slow to move anywhere.
Oh, well: more time to focus on the characters.
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